Roger Fry's classic study of the art and life of Paul Cézanne, originally published in 1927, has been acclaimed as a paradigm critical work for its clarity, perception, and originality. Himself an artist, Fry rejected prevailing modes of criticism, believing that form, not subject matter, should be the primary expressive element. Cézanne's work came closest to Fry's ideal—it ga...(展开全部)

这是一部文采斐然、生动活泼的书，对画家和学习绘画的学生而言它拥有技法方面的价值，它还为普通读者提供了一种充满真知灼见的洞察，展示了塞尚艺术不可思议的魅力。 本书中文版将于2009年由广西师范大学出版社出版。

1927. Fry, English art critic and painter and champion of modern French schools of art introduced Cezanne and the postimpressionists to England. From 1905 to 1910 he was curator of paintings at the Metropolitan Museum of Art. In 1933 he was made Slade Professor of Fine Arts at Cambridge. Interested in all eras, he consistently stressed the importance of analyzing the formal qua...(展开全部)

This book provides a detailed, systematic, and accessible introduction to an original philosophical theory of concepts that Christopher Peacocke has developed in recent years to explain facts about the nature of thought, including its systematic character, its relations to truth and reference, and its normative dimension. Philosophers from Hume, Kant, and Wittgenstein to the re...(展开全部)

阿诺尔德·J·汤因比，1889年4月14日生于伦敦，卒于1975年10月22日。英国历史学家。牛津大学毕业，曾任该校研究员（1912-1915）。第一次世界大战时期曾在英国外交部情报部工作（1915）；战后作为英国代表团的成员出席过巴黎和会（1919）。二十世纪二十年代先后担任过伦敦大学教授（1924）、皇家国际问题研究所部长（1925）、伦敦大学国际关系史教授。二次大战时期曾任英国外交部调查部长（1943-1946）。1921年他计划巨著《历史研究》，1927-1928年着手写作。 1934-1961年出版了12卷，评述世界历史。注重无文字记载的文明和欧洲以外地区文明。提出一种以分析各种文明的循环和衰落为基础的历史哲学。因其他事务(1939-1943年任皇家国际事务学会外事部研究室主任、1943-1946年任外交部研究司司长等)而中断巨著的继续写作...(展开全部)

Linton C. Freeman就职于加州欧文分校数理行为科学研究所，1978年创办了杂志Social Networks. Linton C. Freeman, is a Research Professor in the Department of Sociology and in the Institute for Mathematical Behavioral Sciences at the University of California, Irvine. He began working in social network analysis in 1958 when he directed a structural study of community decision-making in Syracuse, New York. In 1...(展开全部)

Now available in a board book edition, the charming story of a chameleon searching for his own color, who ends up finding a true friend. Elephants are gray. Pigs are pink. Only the chameleon has no color of his own. He is purple like the heather, yellow like a lemon, even black and orange striped like a tiger! Then one day a chameleon has an idea to remain one color forever by...(展开全部)

The charming story of a chameleon searching for his own color, who ends up finding a true friend. Elephants are gray. Pigs are pink. Only the chameleon has no color of his own. He is purple like the heather, yellow like a lemon, even black and orange striped like a tiger! Then one day a chameleon has an idea to remain one color forever by staying on the greenest leaf he can fi...(展开全部)

Amazon.com Every animal has a color of its own. \"Parrots are green， elephants are gray， pigs are pink.\" But chameleons change color wherever they go. \"On lemons they are yellow. In the heather they are purple.\" One chameleon is not pleased with his changeable appearance. He thinks， \"If I r"

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chro...(展开全部)